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E. Nina Rothe

Film. Fashion. Life.
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Favorite movies only need apply. Life is too short to write about what I didn't enjoy. 

Jacob Elordi in Justin Kurzel’s ‘The Narrow Road to the Deep North’ photo © Curio Pictures

New additions to Berlinale Special program include much anticipated title 'Mickey 17' and new Justin Kurzel series with Jacob Elordi

E. Nina Rothe January 16, 2025

There is goodness to be found in this year’s Berlinale Special program and it includes some eye candy, for yours truly.

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In Film, Film Festivals Tags Berlinale, Berlinale Special galas, Mickey 17, Robert Pattinson, Bong Joon Ho, The Narrow Road to the Deep North, Justin Kurzel, Richard Flanagan, Jacob Elordi, Ciarán Hinds, Odessa Young, Olivia DeJonge, Simon Baker, Dylan Southern, The Thing with Feathers, Benedict Cumberbatch, Je n’avais que le néant - "Shoah" par Lanzmann, Guillaume Ribot, Claude Lanzmann, Shoah, Naomi Ackie, Steven Yeun, Toni Collette, Mark Ruffalo, Islands, Jan-Ole Gerster, Sam Riley, Stacy Martin, Dylan Torrell, Spencer, Jack Farthing, Lars Eidinger, Das Licht, The Light, Tom Tykwer, Syria, Berlin, Yalla Parkour, Areeb Zuaiter
Comment

Daniel Craig and Drew Starkey in a still from Luca Guadagnino’s ‘Queer’

Cinema is "something that is going to change your mind forever": Let's talk about Luca Guadagnino's 'Queer'

E. Nina Rothe November 30, 2024

As the Italian-born filmmaker heads the Competition Jury at this year’s Marrakech International Film Festival, I’m reminded of one of my favorite, count-them-on-the-fingers-of-one-hand films from this year’s Venice Film Festival and why Guadagnino will always be a beloved filmmaker of mine.

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In Film, Interviews, Film Festivals Tags Queer, Luca Guadagnino, Daniel Craig, Marrakech International Film Festival, FIFM, Morocco, Jason Schwartzman, Drew Starkey, A24, Lesley Manville, Jonathan Anderson
1 Comment

Fink, Roz and Pinktail in ‘The Wild Robot’, courtesy of DreamWorks Animation

Kindness is a superpower: 'The Wild Robot' review

E. Nina Rothe October 17, 2024

They say you can’t judge a book by its cover, but feel free to judge this magnificent film by its spellbinding still above.

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In Film, Film Festivals, review Tags The Wild Robot, Jeff Hermann, Chris Sanders, Dreamworks Animation, Bill Nighy, Ving Rhames, Catherine O'Hara, Pedro Pascal, Lupita Nyong’o, Mark Hamill, Star Wars, Raymond Zibach, Kris Bowers
Comment

Photo by © Akis Bado, used with permission

Locarno Golden Leopard winner 'Toxic' by Saulė Bliuvaitė reviewed

E. Nina Rothe August 19, 2024

The film, which was awarded top prize by a jury chaired by Austrian auteur Jessica Hausner, was also the winner in the separately juried First Feature Competition.

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In Film, review, Film Festivals Tags Akis Bado, Saulė Bliuvaitė, Toxic, Locarno, Golden Leopard winner, Jessica Hausner, Switzerland, First Feature Competition, Lithuania, Vesta Matulytė, modeling, Ieva Rupeikaitė, Eastern Europe, Gen Zer, Vytautas Katkus
Comment

Bérénice Béjo and Matheo Labbé in a still from ‘Mexico 86’

Review of 'Mexico 86' by César Diaz: A film with its heart in the perfect place

E. Nina Rothe August 11, 2024

The fictionalized, yet personal story of the troubled relationship between the filmmaker and his own mother, ‘Mexico 86’ offers a viewpoint into the price women pay when trying to balance motherhood, and a revolution.

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In Film, Film Festivals, review Tags Mexico 86, Cesar Diaz, Locarno Film Festival, Bérénice Béjo, Guatemala, Julieta Egurrola, Mexico world cup, Virginie Surdej, Alain Dessauvage, Need Productions, Tripode Productions, Bac Films International / Goodfellas
Comment

Cate Blanchett and Sasha Baron Cohen in a still from ‘Disclaimer’ by Alfonso Cuaron

Trailer released for 'Disclaimer': **Not to be watched if you can't handle entertainment

E. Nina Rothe August 7, 2024

“DISCLAIMER*

*Any resemblance to persons living or dead is not a coincidence.”

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In Features, Film Festivals Tags Martin Scorsese, Alfonso Cuaron, Disclaimer, Cate Blanchett, Kevin Kline, Sasha Baron Cohen, Apple TV+, Renée Knight, Kodi Smit-McPhee, Esperanto Filmoj, Anonymous Content, Gabriela Rodriguez, David Levine, Steve Golin, Emmanuel Lubezki, Bruno Delbonnel, Donald Sabourin, Carlos Morales, Finneas O’Connell, Trailer teaser
Comment

'Why War' may be Amos Gitai's most important film to date and will screen at this year's Venice Film Festival

E. Nina Rothe July 24, 2024

For a man whose personal mission has been to “build bridges through cinema,” as he told La Repubblica newspaper in an interview just published this week, his latest film may prove the most important peace-making link yet.

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In Film, Features, Film Festivals Tags Amos Gitai, Why War, Israel, Palestine, Venice International Film Festival, La Biennale di Venezia, cinema, films, documentary, Shikun, Tel Aviv, Paris, Vienna, Berlin, Kyoomars Musayyebi, Alexey Kochetkov, Louis Sclavis, Eric Gautier, Yuval Orr, Albert Einstein, Alberto Barbera, Sigmund Freud, Mathieu Amalric, Micha Lescot, Irène Jacob, Yael Abecassis, Keren Mor, J. Richard Oppenheimer, Christopher Nolan, Oppenheimer, League of Nations, war
Comment

Venice Film Festival line up includes latest from Amos Gitai, Scandar Copti, Pedro Almodóvar, plus a series from Alfonso Cuarón, Luca Guadagnino's 'Queer' and Pablo Larraín's 'Maria'

E. Nina Rothe July 23, 2024

All wrapped up with the Lady Gaga starrer ‘Joker: Folie à Deux’, Tunisian gem ‘Aïcha’ by Mehdi Barsaoui and ‘Wolfs’ starring George Clooney and Brad Pitt — talk about a festival for the stars!

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In Features, Film, Film Festivals Tags Venice Film Festival, La Biennale di Venezia, Amos Gitai, Scandar Copti, Pedro Almodovar, Pablo Larrain, Alfonso Cuaron, Why War, Lorenzo Mattotti, Queer, Luca Guadagnino, Joker: Folie à Deux, Aicha, Mehdi Barsaoui, Wolfs, George Clooney, Brad Pitt, Pietrangelo Buttafuoco, Alberto Barbera, Happy Holidays, Göran Hugo Olsson, Israel Palestine on Swedish TV 1958-1989, Fabio Grassadonia and Antonio Piazza, Iddu, Delphine and Muriel Coulin, The Quiet Son, Ludovic and Zoran Boukherma, And Their Children After Them, Songs of Slow Burning Earth, Ukraine, Russia, Olha Zhurba, Russians at War, Anastasia Trofimova, Nicolas Winding Refn, Beauty is not a Sin, Allégorie citadine, Alice Rohrwacher, JR, Leos Carax, yna Khoudri, Cannes, Qumra, Plato, Marco Bellocchio, Se posso permettermi Capitolo II, Bobbio Film Festival, Maria, Angelina Jolie, Maria Callas, Pierfrancesco Favino, Alba Rohrwacher, The Room Next Door, Pedro Almodovár, Tilda Swinton, Julianne Moore, John Turturro, William S. Burroughs, Daniel Craig, Jason Schwartzman, Cinecittà, Toni Servillo Elio Germano, Matteo Messina Denaro, The Order, Justin Kurzel, Jude Law, Tye Sheridan, Todd Phillips, Catherine Keener, Lady Gaga, Joaquin Phoenix, Joker, Diva Futura, Giulia Louise Steigerwalt, ietro Castellito, Riccardo Schicchi, Ciccionlina, One To One: John & Yoko, Kevin Macdonald and Sam Rice-Edwards, Asif Kapadia, 2073, Samantha Morton, Albert Einstein, Sigmund Freud, Disclaimer, Alfonso Cuar, Cate Blanchett, Kevin Kline, Families Like Ours, Thomas Vinterberg, M: Il figlio del secolo film, Joe Wright, Luca Marinelli, Mistress Dispeller, Elizabeth Lo, Pavement, Alex Ross Perry, Michael Esper, Peter Sarsgaard, Ben Chaplin, September 5, Tim Fehlbaum
Comment

Sophia Loren in a frame from the film ‘L’oro di Napoli’ by Vittorio De Sica

Vittorio De Sica's classic 'L'oro di Napoli' is pre-opening film of 81st Venice Film Fest

E. Nina Rothe June 18, 2024

The Pre-opening film will screen on Tuesday August 27th of the 81st Venice International Film Festival of La Biennale di Venezia, on the 50th anniversary of the death of Vittorio De Sica and the 70th anniversary of the film.

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In Film, Film Festivals Tags L'oro di Napoli, Vittorio De Sica, Napoli, Neorealism, Italian cinema, 811st Venice Film Festival, Venice International Film Festival of La Biennale di Venezia, Sophia Loren, Alberto Barbera, Lido di Venezia, Carlo Lizzani, Storia del cinema italiano, Cinecittà, Aurelio e Luigi De Laurentiis, Filmauro Srl, 4K restauration, Martin Scorsese, My Voyage to Italy, New York, Paolo Stoppa, Silvana Mangano, Cannes Film Festival, Nastro d'argento prize, Giuseppe Marotta, Cesare Zavattini, Carlo Ponti and Dino De Laurentiis, Sora, Lazio, Marriage Italian Style, Yesterday Today and Tomorrow, Bicycle Thieves, The Gold of Naples, Eduardo De Filippo, Totò
Comment

DreamWorks Animation launches brand new trailer for 'The Wild Robot' in Annecy

E. Nina Rothe June 11, 2024

The latest DreamWorks Animation title will be distributed by Universal and is a new adaptation of the literary sensation by Peter Brown.

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In Features, Film Festivals, Film Tags DreamWorks, Annecy Festival, The Wild Robot, Universal Pictures, Chris Sanders, Jeff Hermann, Lupita Nyong’o, Pedro Pascal, What a Wonderful World, The Prince of Egypt, Shrek, Madagascar, Kung Fu Panda, How to Train Your Dragon, Puss in Boots: The Last Wish, Bambi, Disney, Steven Spielberg, E.T. the Extra-Terrestrial, Catherine O’Hara, Bill Nighy, Kit Connor, Stephanie Hsu, Mark Hamill, Matt Berry, Ving Rhames, Peter Brown, Kris Bowers, Annecy International Animation Film Festival
Comment

'Being Maria' Cannes Review: A problematic woman or simply someone who dared to call it like it is?

E. Nina Rothe May 22, 2024

Cinematic, albeit scandalous history was made in 1972 when Bernardo Bertolucci’s ‘Last Tango in Paris’ was first screened. Now French filmmaker Jessica Palud, with the help of a book written by Maria Schneider’s cousin, retells the story to finally bring out the heroine in a woman who simply stood up for herself. And, as is often the case for strong women, lost.

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In Film, review, Film Festivals Tags Maria, Being Maria, Maria Schneider, Cannes Film Festival, festival de cannes, Matt Dillor, Matt Dillon, Marlon Brando, Giuseppe Maggio, Bernardo Bertolucci, Vanessa Schneider, Laurette Polmanss, Jessica Palud, Sébastien Buchmann, Studio Canal, Cannes Premiere, Thierry Frémaux, Last Tango in Paris, sexual harassment, Anamaria Vartolomei, Daniel Gélin, My Cousin Maria Schneider: A Memoir, Molly Ringwald, Paris, French cinema, Yvan Attal, Guy Ferrandis, Les Films de Mina
Comment

Francis Ford Coppola's 'Megalopolis' Cannes "review": For the love of cinema (and America)

E. Nina Rothe May 17, 2024

If you go into Coppola’s opus without a heavy belief in romance and a huge cultural knowledge of cinema, you’ll miss the point. Once you’ve got that sorted, all you need is to sit back, relax and enjoy the show — because what a show it is!

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In Features, Film, Film Festivals, review Tags Lonely Planet The The, Francis Ford Coppola, Cesar, Adam Driver, Aubrey Plaza, Megalopolis, Studio 54, NYC, New York, New Rome, Jon Voight, Laurence Fishburne, Giancarlo Esposito, Talia Shire, James Remar, D.B. Sweeney, Nathalie Emmanuel, Dustin Hoffman, Shia LaBeouf, Napoléon vu par Abel Gance, Orson Welles’ Citizen Kane, Sidney Lumet’s Twelve Angry Men, Fairy tale, Fable, BBC, Debussy, Festival de Cannes, world premiere
Comment

'Wild Diamond' Cannes Review: A woman's story for the age we live in

E. Nina Rothe May 16, 2024

Agathe Riedinger’s Competition title shows us the contradictions and pressures of being a modern woman. And the resulting film is a work of the seventh art not to be missed.

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In Features, review, Film Festivals Tags Wild Diamond, Festival de Cannes, Silex Films, France, french Cinema, Malou Khebizi, Andréa Bescond, J'attends Jupiter
Comment

Jeremy Xido's 'The Bones' follows CPH:DOX premiere with Hot Docs Surprise Screening

E. Nina Rothe May 2, 2024

And the film importantly holds proof that in order to understand our future, we must look at the past — the very distant, millions of years ago, dinosaurs and all, past!

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In Features, Film Festivals, Film, review Tags Jeremy Xido, The Bones, CPH: DOX, Hot Docs, Death Metal Angola, Dubai International Film Festival, Angola, Heavy metal music, Detroit, Triassic period, dinosaurs, Gobi Desert, Bolor Minjin, Mongolia, Nizar Ibrahim, Paleontologist, Morocco, Sahara desert, Africa, South Africa, fossils trade, Francois Escuillier, France, Jack Horner, Jurassic Park, Ina Fichman, Intuitive Pictures, Fire of Love, The Wanted 18, Amer Shomali, Palestine, Sundance, Toronto, Canada, Kaveh Nabatian, Bettina Borgfeld, Johan Legraie, Claire Sanford, Étienne Roussy, Léna Mill Reuillard, Sarah Blum, Nick Taylor, Tom Randaxhe, Jacob Thusen, Boban Chaldovich, Cabula6, Ramachandra Borcar
Comment

Re-evaluating the power of cinema: Amos Gitai's 'Shikun' at Berlinale

E. Nina Rothe April 9, 2024

If you’d asked me a year ago did I believe cinema could change the world, I would have answered you with an enthusiastic “yes!” Now? Read on to find out…

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In Features, Film, review, Interviews, Film Festivals Tags Amos Gitai, Irene Jacob, Berlinale, Shikun, Eugene Ionesco, Israel, Palestine, Benjamin Netanyahu, Alexei Kochetkov, Paris, Tel Aviv, Louis Sclavis, Hebrew, Haaretz, Ramallah, West Bank, Gaza, Mahmood Darwish, Umberto Eco, Think of Others, Rhinoceros, Hamas, Wag the Dog, Adlon Kempinski, October 7th 2023, Cannes, Gene Wilder, Zero Mostel, Ely Landau, Hollywood, No Other Land, Yuval Abraham, Basel Adra, Rachel Szor, Hamdan Ballal, Panorama Audience Award winner, documentary, Berlinale Special, Cannes Film Festival, Thierry Fremaux, Variety, Elsa Keslassy, cinema with a conscience
Comment

A still from ‘Ladies Coffee’ courtesy of Al-Agroobi.

Amal Al-Agroobi's groundbreaking short 'Ladies Coffee' to premiere at London's AWAN Festival

E. Nina Rothe March 22, 2024

The London-based Emirati director is a personal favorite and her latest project breaks all the conventions set for Arab women filmmakers, in favor of a genre bending short that begs to be watched on the big screen.

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In Features, Film, Film Festivals Tags Amal Al-Agroobi, Ladies Coffee, AWAN Festival, London, Emirates, Half Emirati, Syria, Malmo International Film Festival, Amira Al Shanti, Rania Kurd, Faten Omary, Isabella Speaight, Catherine White, Backscatter Productions, Kusini Productions, Eva Petersson, Saeed Aldhaheri, Ali Jaber, Amir El Masry
1 Comment

A still from the film © Reiner Holzemer Film

Reiner Holzemer's 'Lars Eidinger -- To Be or Not To Be' premieres in North America

E. Nina Rothe March 18, 2024

The latest documentary from the German filmmaker, whose mission appears to shoot cinematic homages to all things cool, will be shown to FIFA audiences in Montreal on March 21st.

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In Film, Film Festivals Tags Lars Eidinger, Reiner Holzemer, Lars Eidinger To Be or Not To Be, Juliette Binoche, Isabelle Huppert, Olivier Assayas, Berlinale, Flaunt Magazine, Jedermann, Hans Rothe, Max Reinhardt, Salzburg, William Shakespeare, Dying, Matthias Glasner, Dries, Philippe U. del Drago, Le FIFA, Montreal, Canada, International Festival of Films on Art
Comment

A still from the film, courtesy of © Tanit Films, Midi La Nuit, Instinct Bleu

Meryam Joobeur on Berlinale Competition title 'Who Do I Belong To' and the injustice of visas

E. Nina Rothe March 10, 2024

The feature debut by the Oscar-nominated Tunisian-Canadian filmmaker is a cinematic painting, an ode to her ‘Brotherhood’ stars who were not given a visa to travel to the Berlinale. An injustice that seemed to go unnoticed in the midst of all the festival drama.

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In Features, Film, Film Festivals, Interviews Tags Meryam Joobeur, Berlinale, Who Do I Belong To, visas, immigration, Tunisia, Canada, Oscar-nominated, Doha, Qumra, Nadim Cheikhrouha, Marrakech, Atlas Workshops, Malek Mechergui, Rayen Mechergui, Chaker Mechergui, Brotherhood, Vincent Gonneville, Motherhood, Islamophobia, Salha Nasraoui, Mohamed Hassine Grayaa
Comment

A still from ‘Brief History of a Family’ by Jianjie Lin

Seven DFI supported films to screen at this year's Berlinale

E. Nina Rothe February 7, 2024

They include two projects ‘In Competition’, three in ‘Panorama’, one each in the ‘Encounters’ and ‘Generation’ sections.

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In Film, Film Festivals Tags Doha Film Institute, DFI, Doha, Qatar, Ajyal Film Festival, Qumra, Berlinale, Berlin, Fatma Hassan Alremaihi, Luck Razanajaona, Disco Afrika: A Malagasy Story, Demba, Mamadou Dia, Nelson Makengo, Rising Up at Night, documentaries, feature narrative, Panorama, Encounters, Myriam El Hajj, Diaries from Lebanon, Lebanon, Senegal, Madagascar, Democratic Republic of Congo, Shambala, Nepal, Min Bahadur Bham, Who Do I Belong To, Meryam Joobeur, Brief History of a Family, Jianjie “JJ” Lin, Sundance
Comment

Amos Gitai, center, on the set of ‘Shikun’

Amos Gitai’s ‘Shikun’ promises to offer a much-needed exercise in peace

E. Nina Rothe January 15, 2024

The latest film by the prolific filmmaker, theater director, architect and artist has just been announced as a Berlinale Special at the upcoming Berlin Film Festival. 

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In Features, Film, Film Festivals Tags Amos Gitai, Berlinale, Shikun, Berlin Film Festival, Orson Welles, Palestine, Israel, Gaza, Eugene Ionesco, Rhinoceros, Middle East, Negev desert, BeerSheva, Hamas, Irène Jacob, Benjamin Netanyahu, House, Eric Gautier, Ukrainians, Venice, Cannes, Mahmood Darwish, Bahira Ablassi, Laila in Haifa, Umberto Eco, Haaretz, Amira Hass, Yaël Abecassis, Arab, Jewish, Israeli
Comment
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