A still from the film, courtesy of © Tanit Films, Midi La Nuit, Instinct Bleu
The feature debut by the Oscar-nominated Tunisian-Canadian filmmaker is a cinematic painting, an ode to her ‘Brotherhood’ stars who were not given a visa to travel to the Berlinale. An injustice that seemed to go unnoticed in the midst of all the festival drama.
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The special preview on 17 February will be followed by a discussion with Ben Hania who will be present in person.
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A still from ‘Brief History of a Family’ by Jianjie Lin
They include two projects ‘In Competition’, three in ‘Panorama’, one each in the ‘Encounters’ and ‘Generation’ sections.
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Franz Rogowski in a still from ‘Disco Boy’ by Giacomo Abbruzzese
In a hippy, trippy kind of way, filmmaker Giacomo Abbruzzese’s debut feature echoes fellow Italian Francis Ford Coppola’s ‘Apocalypse Now’, as he journeys to the heart of darkness, with the help of spellbinding German actor Franz Rogowski.
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And I’ll tell you why.
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One of Roman Vishniac’s haunting photographs, courtesy of his archives
In a haunting documentary film by Laura Bialis, the story of Jewish photographer Roman Vishniac is captured in a way that pushes us to finally revisit the history of the past, in order to never make the same mistakes again.
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Amos Gitai, center, on the set of ‘Shikun’
The latest film by the prolific filmmaker, theater director, architect and artist has just been announced as a Berlinale Special at the upcoming Berlin Film Festival.
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Fabrizio Rongione and Lubna Azabal in a scene from 'Amal’
Moroccan-Belgian filmmaker Jawad Rhalib tackles Islamic intolerance and the results of forced multiculturalism in Belgian society. The result is a film which will leave you breathless.
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I have to say, for a film I immediately disliked, it has stayed with me for a looooong time.
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There is no place in Italy as beautiful and as filled with diverse culture as the southern Italian island of Sicily. And yet no place has been abused more — by wars, invasions and more recently, pollution — the latter pointed out hauntingly by filmmakers François-Xavier Destors and Alfonso Pinto in their impressive ode to this modern “wasteland.”
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In her important, must-watch documentary ‘Bella’, filmmaker Bridget Murnane proves that you can’t keep a good woman down.
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The Jio MAMI Mumbai Film Festival, which runs from October 27 to November 5, announced on Monday that this year’s Closing Night film will be Coppola’s film based on the 1985 memoir ‘Elvis and Me’ written by Priscilla Presley and Sandra Harmon.
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Freida Pinto and Hiam Abbass in a scene from ‘Miral’
While festivals throughout the Region, and beyond, senselessly cancel their latest edition “in support” of the Palestinian cause, the best thing they could do would be to finally showcase cinema from Palestinian and Israeli auteurs, as well as one American filmmaker, who can collectively help explains the situation and smother the fire of warmongers with culture and education.
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After world premiering at the Tribeca Film Festival in NYC earlier this year, Stuart Gatt’s captivating thriller finally screens in the UK at the upcoming Raindance Film Fest. And I caught up with the filmmaker to ask about his influences, why he’s so good at writing women’s characters and more.
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While at the BFI London Film Festival, where the title world premiered this past week, the filmmaker sat down for an insightful ‘Selfies Interview’ and discussed a bit about the film as well as why he loves having Kareena in his project.
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In the upcoming ‘Wonka’, the story of the beloved chocolatier, penned originally by Roald Dahl in 1964, goes back to the character’s beginnings. And with Chalamet as Willy Wonka, this is going to be a joyride simply not to be missed.
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There are so many layers to filmmaker Kevin Macdonald’s film that it would take more than a few hundred words to get to them all. At the core of this stunning must-watch documentary is a fashion hero turned antihero who could be a poster child for explaining our current times.
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Apart from the great look of the film and the immediate immersion for the viewer into the late 1960’s biker culture of the American midwest, ‘The Bikeriders’ also offers insight into masculine insecurities and strengths and in the process, becomes yet another favorite Jeff Nichols work of seventh art.
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The film is exactly what is needed to encourage audiences to watch more cinema in the theaters, and amazingly enough, it is an Amazon MGM Studios production — proving that streamers do know it best if given the chance to do their thing.
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Once the absurd discourse about Bradley Cooper’s nose will have finally quieted down, those who have been lucky enough to have watched ‘Maestro’ on the big screen will realize they’ve witnessed a masterpiece.
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