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E. Nina Rothe

Film. Fashion. Life.
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Favorite movies only need apply. Life is too short to write about what I didn't enjoy. 

Challenging perceptions: An interview with 'Catching Dust' filmmaker Stuart Gatt

E. Nina Rothe October 23, 2023

After world premiering at the Tribeca Film Festival in NYC earlier this year, Stuart Gatt’s captivating thriller finally screens in the UK at the upcoming Raindance Film Fest. And I caught up with the filmmaker to ask about his influences, why he’s so good at writing women’s characters and more.

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In Features, Film, Film Festivals, Interviews Tags Catching Dust, Stuart Gatt, Raindance Film Festival, Tribeca Film Festival, David Lynch, Guillermo Arriaga, Uk, Texas, London, Erin Moriarty, Jai Courtney, Dina Shihabi, Ryan Corr, Curzon Soho
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Iraq today

Why aren't we talking about Iraq? And revisiting Beth Murphy's prophetic 'The List'

E. Nina Rothe January 15, 2020

Back in 2012, I watched and wrote about ‘The List’ a haunting documentary by American filmmaker Beth Murphy. It premiered at Tribeca and immediately became a symbol of the country I called home at the time. President Bush Senior had fought Iraq on the fields of Kuwait, while Bush Junior invaded the country vouching to get back at Saddam Hussein for, and I quote the then President, “this is the guy who tried to kill my father.”

Ever since then, it’s been an unmentionable subject, Iraq. In US news,

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In Film, Interviews Tags Iraq, The List, Beth Murphy, Syria, Academy Awards, Mohamed Al-Daradji, SkyTG24 Mondo, Renato Coen, The Journey, For Sama, The Cave, USA, President George W Bush, UN, Francesca Mannocchi, Baghdad, Tahrir Square, Tribeca Film Festival
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Hook Up 2.0 by Dana Nachman

There's an App for that! Dana Nachman on sex in the #MeToo age in 'Hook Up 2.0' at the Tribeca Film Festival

E. Nina Rothe April 22, 2019

A typical present day college party. A girl. A guy. They hook up and go the man’s pink hued apartment, yes pink you read that right, to be alone together. But this is the age of #MeToo and nothing is quite the way it used to be. I mean, and just the pink lights of the man’s apartment alone should have given that away!

‘Hook Up 2.0’ screens in the “Shorts: Funhouse” program at the Tribeca Film Festival. Check out all screening times and dates here.

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In Film, Film Festivals, Interviews Tags Hook Up 2.0, Dana Nachman, Tribeca Film Festival, NYC, MeToo, Sex, The Final Show, Lunafest, Silicon Valley, feminist satire, Veronica Dunne, Billy Meade, Dominique Martinez
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PHOTO BY LORENZO PIERMATTEITrine Dyrholm in Susanna Nicchiarelli’s ‘Nico 1988’

PHOTO BY LORENZO PIERMATTEI

Trine Dyrholm in Susanna Nicchiarelli’s ‘Nico 1988’

Talking ‘Nico 1988’ with Susanna Nicchiarelli and Trine Dyrholm

E. Nina Rothe April 25, 2018

From a haunting first image of Christa Päffgen portrayed as a child watching Berlin burn in the distance with her mother at the end of the Second World War, to the core of her film ‘Nico 1988’ which concentrates on the last three years of the rockstar’s life, filmmaker Susanna Nicchiarelli keeps us, her audience, spellbound. ‘Nico 1988’ opened the Orizzonti section of this year’s Venice Film Festival and for me, the event started then and there, with this touching, moving, electrifying yet perfectly human masterpiece.

The life of Nico went from teenage model to Velvet Underground singer and Andy Warhol muse, to, as the artist himself famously stated, becoming “a fat junkie” and disappearing — all in the blink of an eye. Yet when the world wanted her to go away, as they do with pretty women once they turn, eh hum... older, say thirty, Nico found her second wind. She dyed her hair, started wearing head to toe black and became the original mistress of darkness, crooning songs about her existence that still send shivers down every woman’s spine, they are so true to life!

The film screens the weekend of April 26th in NYC, as part of the Tribeca Film Festival. Book tickets on the TFF website. 

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In Film, Interviews Tags Susanna Nicchiarelli, Trine Dyrholm, Nico 1988, Tribeca Film Festival, Venice Film Festival, La Biennale di Venezia, Christa Päffgen, Berlin, Velvet Underground, model, Andy Warhol, Factory girl
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