“DISCLAIMER*
*Any resemblance to persons living or dead is not a coincidence.”
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Cate Blanchett and Sasha Baron Cohen in a still from ‘Disclaimer’ by Alfonso Cuaron
Roundglass Sustain, a non-profit foundation which commissioned this film, is the only conservation platform in India that collaborates with partners such as photographers, filmmakers and NGO’s to create stories that impact change and behavior.
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In the first R-rated film for Marvel, and a marketing win for Disney all around, Ryan Reynolds and Hugh Jackman bring it, to an entertaining blockbuster that is this summer’s ‘Barbie’.
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Joan Chen and Izaac Wang in a scene from Sean Wang’s ‘DÌDI’
An American coming of age story like you’ve never watched on the big screen before, ‘DÌDI’ opens this weekend and it is a must watch. I caught up with the stars and the visionary filmmaker for a Zoom press conference and here are a couple of takeaways to whet your appetite.
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For a man whose personal mission has been to “build bridges through cinema,” as he told La Repubblica newspaper in an interview just published this week, his latest film may prove the most important peace-making link yet.
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All wrapped up with the Lady Gaga starrer ‘Joker: Folie à Deux’, Tunisian gem ‘Aïcha’ by Mehdi Barsaoui and ‘Wolfs’ starring George Clooney and Brad Pitt — talk about a festival for the stars!
Read MoreImage copyright Fondo Giuseppe Quatriglio, used with permission
The film, which world premiered at this year’s Berlinale, will enjoy its UK Premiere as part of the 3rd bi-annual Cinecittà Italian Doc Season, on July 20-21 at London’s Bertha DocHouse.
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And not a moment too soon if you ask me!
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The latest DreamWorks Animation title will be distributed by Universal and is a new adaptation of the literary sensation by Peter Brown.
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I know, I know, I’m not the film’s target demographic, so instead of showing my age and complaining about the noise and video game aesthetics, I’ll share three things I loved about the latest installment of the series, directed and co-written by George Miller.
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Pakistan may not yet be known for great 2D hand-painted animation, but the Riaz cousins plan to change all that, come this year’s world premiere of ‘The Glassworker’ at the prestigious Annecy Festival in June.
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If you go into Coppola’s opus without a heavy belief in romance and a huge cultural knowledge of cinema, you’ll miss the point. Once you’ve got that sorted, all you need is to sit back, relax and enjoy the show — because what a show it is!
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Agathe Riedinger’s Competition title shows us the contradictions and pressures of being a modern woman. And the resulting film is a work of the seventh art not to be missed.
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When the US wanted to use art to conquer the world, they enlisted the help of an up-and-coming American artist, a Jewish Italian art dealer and a woman with political connections. The result was a victory like no other, the story told in a wondrous documentary which is releasing this weekend in NYC, with LA and other cities to follow.
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And the film importantly holds proof that in order to understand our future, we must look at the past — the very distant, millions of years ago, dinosaurs and all, past!
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This is definitely a film you won’t want to miss. And read on for a personal interview with the Syrian filmmaker to find out why.
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And no, while it does have pink lettering on the poster, it’s not ‘Barbie’. But it is female-directed and features a woman who proves an inspiration to women young and old…
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If you’d asked me a year ago did I believe cinema could change the world, I would have answered you with an enthusiastic “yes!” Now? Read on to find out…
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Maybe it’s the way the 8-part series — spearheaded, written and directed by Steven Zaillian — showcases a kind of world gone by, in its hauntingly perfect B&W. Or maybe it’s how there is a bit of Tom Ripley in each and every one of us. Whatever the reason, the Andrew Scott starrer is now deeply embedded in my heart… and thoughts.
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A still from ‘Ladies Coffee’ courtesy of Al-Agroobi.
The London-based Emirati director is a personal favorite and her latest project breaks all the conventions set for Arab women filmmakers, in favor of a genre bending short that begs to be watched on the big screen.
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