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E. Nina Rothe

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Favorite movies only need apply. Life is too short to write about what I didn't enjoy. 

Soudade Kaadan's breathtaking 'Nezouh' finally opens in the UK on May 3rd

E. Nina Rothe April 29, 2024

This is definitely a film you won’t want to miss. And read on for a personal interview with the Syrian filmmaker to find out why.

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In Features, Interview, Interviews, Film Tags Soudade Kaadan, Nezouh, Venice Film festival, ICA, London, UK, Modern Films, mk2 Films, BFI, National Lottery, Film4, KAF Production, Agat Films & Cie, Berkeley Media Group, Damascus, Syria, Lebanon, Beirut, France, Vittorio De Sica, Matteo Garrone, Nizar Alani, Hala Zein, Kinda Alloush, Samer al Masri, The Day I Lost My Shadow, Aziza, Armani Beauty Audience Award, Gaziantep, Turkiye, Osman Özcan
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'Nezouh' -- Venice 2022 review

E. Nina Rothe August 31, 2023

Soudade Kaadan's film is a fable of two women and the men who love them (well, one man and one boy really) and the power and magic that love carries with it. From the MIME.news archives.

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In Film, review Tags Soudade Kaadan, Nezouh, Venice International Film Festival, Orizzonti, Syria, Damascus, Helene Louvart, Burrak Kanbir, Osman Ozcan, Marc Bordure, Hala Zein, Kinda Alloush, Samir al-Masri, Nizar Alani, Darina Al Joundi, mk2 Films, Rob Lane, Rob Manning, Amira Kaadan
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A still from ‘The Translator’ directed by Anas Khalaf and Rana Kazkaz

A still from ‘The Translator’ directed by Anas Khalaf and Rana Kazkaz

The Uncertainty of Everything: 'The Translator' by Rana Kazkaz and Anas Khalaf at Tallinn Black Nights

E. Nina Rothe November 28, 2020

While there have been loads of documentaries about Syria and its place in the Arab Spring revolutions of 2011, no narrative film has even come close to the way ‘The Translator’ tells the story. A complete story that goes as far back as the first Syrian revolts in 1980 under Bashar al-Assad’s father, Hafez which resulted in the Hama massacre in 1982. The filmmakers telling this spellbinding story are husband and wife team Anas Khalaf and Rana Kazkaz, both multi-hyphenated nationalities but at the center of it all, Syrian. Because let’s face it, there are currently many more Syrian living spread out around the world than in Syria itself.

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In Film, Film Festivals, review Tags The Translator, Rana Kazkaz, Anas Khalaf, Syria, Arab Spring, Damascus, Bashar al-Assad, Hafez al-Assad, Australia, Ziad Bakri, Sydney Olympics, Miranda Tapsell, David Field, TIFF, Toronto International Film Festival, Tallinn Black Nights Film Festival, Vimeo Premium, Mare Nostrum, Carlos Chahine, Ramzi Maqdisi, Annemarie Jacir, Magali Negroni, Eric Devin, Catherine Cosme
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The Families for Freedom bus in London — a still from ‘Ayouni’

The Families for Freedom bus in London — a still from ‘Ayouni’

'Ayouni' by Yasmin Fedda: Freedom is a double decker to Damascus

E. Nina Rothe July 1, 2020

“Whenever you throw stones into the sea, it sends ripples through me.” — Dunya Mikhail

Bookended at its beginning and end by the stunning stanza from the esteemed Iraqi-American poet quoted above, the documentary ‘Ayouni’ proves both a heartbreaker and a dream maker of a film. Now let me explain.

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In Film, review Tags Ayouni, Jasmin Fedda, Queens of Syria, Damascus, Syrian regime, Dunya Mikhail, Iraqi poet, The Syria Campaign, Amnesty International UK, Nophotozone, Raqq, Raqqa, Father Paolo Dall'Oglio, ISIS, Bassel Safadi, Noura Ghazi, Bus for Freedom, London, Machi Dall'Oglio, Black Lives Matter, Hakawati, Banyak Films
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