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E. Nina Rothe

Film. Fashion. Life.
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Favorite movies only need apply. Life is too short to write about what I didn't enjoy. 

A still from the film, courtesy of © Tanit Films, Midi La Nuit, Instinct Bleu

Meryam Joobeur on Berlinale Competition title 'Who Do I Belong To' and the injustice of visas

E. Nina Rothe March 10, 2024

The feature debut by the Oscar-nominated Tunisian-Canadian filmmaker is a cinematic painting, an ode to her ‘Brotherhood’ stars who were not given a visa to travel to the Berlinale. An injustice that seemed to go unnoticed in the midst of all the festival drama.

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In Features, Film, Film Festivals, Interviews Tags Meryam Joobeur, Berlinale, Who Do I Belong To, visas, immigration, Tunisia, Canada, Oscar-nominated, Doha, Qumra, Nadim Cheikhrouha, Marrakech, Atlas Workshops, Malek Mechergui, Rayen Mechergui, Chaker Mechergui, Brotherhood, Vincent Gonneville, Motherhood, Islamophobia, Salha Nasraoui, Mohamed Hassine Grayaa
Comment

Amos Gitai, center, on the set of ‘Shikun’

Amos Gitai’s ‘Shikun’ promises to offer a much-needed exercise in peace

E. Nina Rothe January 15, 2024

The latest film by the prolific filmmaker, theater director, architect and artist has just been announced as a Berlinale Special at the upcoming Berlin Film Festival. 

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In Features, Film, Film Festivals Tags Amos Gitai, Berlinale, Shikun, Berlin Film Festival, Orson Welles, Palestine, Israel, Gaza, Eugene Ionesco, Rhinoceros, Middle East, Negev desert, BeerSheva, Hamas, Irène Jacob, Benjamin Netanyahu, House, Eric Gautier, Ukrainians, Venice, Cannes, Mahmood Darwish, Bahira Ablassi, Laila in Haifa, Umberto Eco, Haaretz, Amira Hass, Yaël Abecassis, Arab, Jewish, Israeli
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Freida Pinto and Hiam Abbass in a scene from ‘Miral’

Six films to help explain the current Gaza/Israel conflict

E. Nina Rothe October 25, 2023

While festivals throughout the Region, and beyond, senselessly cancel their latest edition “in support” of the Palestinian cause, the best thing they could do would be to finally showcase cinema from Palestinian and Israeli auteurs, as well as one American filmmaker, who can collectively help explains the situation and smother the fire of warmongers with culture and education.

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In Film, Features Tags The Time That Remains, Elia Suleiman, Egypt, Juliano Mer-Khamis, Julian Schnabel, Miral, Freida Pinto, Hiam Abbass, Hind Husseini, Rula Jebreal, Saleh Bakri, Ali Suliman, It Must Be Heaven, Bye Bye Tiberias, Lina Soualem, Amos Gitai, Rabin the Last Day, Yitzhak Rabin, Palestinian cinema, Israeli cinema, Israeli Hamas war, Gaza, West Bank, Omar, Hany Abu Assad, Cannes, Paradise Now, Suheir Hammad, Salt of this sea
Comment

Challenging perceptions: An interview with 'Catching Dust' filmmaker Stuart Gatt

E. Nina Rothe October 23, 2023

After world premiering at the Tribeca Film Festival in NYC earlier this year, Stuart Gatt’s captivating thriller finally screens in the UK at the upcoming Raindance Film Fest. And I caught up with the filmmaker to ask about his influences, why he’s so good at writing women’s characters and more.

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In Features, Film, Film Festivals, Interviews Tags Catching Dust, Stuart Gatt, Raindance Film Festival, Tribeca Film Festival, David Lynch, Guillermo Arriaga, Uk, Texas, London, Erin Moriarty, Jai Courtney, Dina Shihabi, Ryan Corr, Curzon Soho
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Masculinity, fashion and biker culture decoded : Jeff Nichols' 'The Bikeriders' examined

E. Nina Rothe October 7, 2023

Apart from the great look of the film and the immediate immersion for the viewer into the late 1960’s biker culture of the American midwest, ‘The Bikeriders’ also offers insight into masculine insecurities and strengths and in the process, becomes yet another favorite Jeff Nichols work of seventh art.

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In Features, Film, Film Festivals, review Tags Jeff Nichols, The Bikeriders, masculinity, fashion, biker culture, BFI London Film Festival, Jodie Comer, Killing Eve, Michael Shannon, Danny Lyon, book, photography, Austin Butler, Tom Hardy, Adam Stone, Chad Keith, Matthew Gatlin, Adam Willis, Erin Benach, Sarah Green, Antje Pauly, Wendy Mitchell
Comment

'Saltburn' by Emerald Fennell opens the BFI London Film Festival, with a twist

E. Nina Rothe October 5, 2023

The film is exactly what is needed to encourage audiences to watch more cinema in the theaters, and amazingly enough, it is an Amazon MGM Studios production — proving that streamers do know it best if given the chance to do their thing.

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In Features, Film Festivals, review Tags Saltburn, BFI London Film Festival, Emerald Fennell, Kristy Matheson, Oscar winner, Barry Keoghan, Oxford, Jacob Elordi, Archie Madekwe, Paul Rhys, Richard E. Grant, Alison Oliver, Carey Mulligan, Linus Sandgren, Murder on the Dancefloor, Amazon Prime, Amazon MGM
Comment

From the MIME.news archives: "Cinema is there to tell a story": Amjad Al Rasheed on Jordan's Oscar submission 'Inshallah a Boy'

E. Nina Rothe October 2, 2023

For those of us who believe in the power of cinema as a social change maker, Al Rasheed's film — a winner in the Critics' Week in Cannes where it world premiered and the Jordanian submission to the Best International Feature Oscar race — is an important piece of the 7th art.

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In Film, Features, Interviews Tags Amjad Al Rasheed, Inshallah a Boy, Cannes Critics Week, Festival de Cannes, Cannes, Jordanian Oscar submission, Critics Week GAN Foundation Award for Distribution, Pyramide Films, Rula Nasser, Delphine Agut, The Imaginarium Films, Raphaël Alexandre, Nicolas Leprêtre, Georges Films, Mouna Hawa
Comment

Awards hopefuls, indie gems and streaming must-watches: My BFI London Film Fest wish list

E. Nina Rothe September 28, 2023

There is just so much good stuff screening at this year’s London Film Festival — from a documentary about a nearly-cancelled forever fashion icon, to a film featuring Austin Butler and Michael Shannon as bikers, to MENA gems, Oscars and Golden Globes hopefuls and indie treasures. So buckle your seat belts, it’s going to be a bumpy fortnight.

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In Film, Film Festivals, Features Tags BFI London Film Festival, The Bikeriders, London, Austin Butler, May December, Golden Globes, Oscars, WGA, Michael Shannon, Saltburn, The Killer, Bye Bye Tiberias, Goodbye Julia, Sudan, Palestine, Barry Keoghan, Richard E. Grant, Carey Mulligan, Jacob Elordi, Rosamund Pike, Emerald Fennell, Michael Fassbender, David Fincher, High and Love, Kevin Macdonald, John Galliano, docs, Sky Peals, Faraz Ayub, Moin Hussain, Stolen, Karan Tejpal, Maestro, NYAD, Todd Haynes, Natalie Portman, Julianne Moore, Jodie Foster, Annette Bening, Four Daughters, Kaouther Ben Hania, Tunisia
Comment

Amr Gamal on his groundbreaking, award winning film 'The Burdened' at Berlinale

E. Nina Rothe September 16, 2023

The Yemeni film, which screened in the Panorama section and won the Amnesty International Film Award at this year's Berlin Film Festival, is a groundbreaking oeuvre which transcends the already strong power of cinema.

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In Film, Interviews, Film Festivals, Features Tags Amr Gamal, The Burdened, Berlinale, Film Boutique, Yemen, Rana Eid
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The Wes Anderson "look" explained

E. Nina Rothe July 16, 2023

The iconic filmmaker definitely has a look. In fact, there are various social media accounts dedicated to the Wes Anderson aesthetic, including “Accidental Wes Anderson” which has 1.8 million followers and “Wes Anderson Planet” with over 250K followers on Instagram.

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In Features Tags Wes Anderson, Isle of Dogs, Luchino Visconti, The Darjeeling Limited, The Grand Budapest Hotel, The Royal Tenenbaums, Prada, Gucci, Louis Vuitton
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A doc that feels like a thriller: talking to Shlomi Elkabetz about 'Black Notebooks: Ronit'

E. Nina Rothe November 3, 2022

More than just an homage to a beautiful, inimitable woman, Shlomi Elkabetz's film about his sister and collaborator Ronit is a journey to the heart of cinema and a fantastic treasure hunt which, if followed through, brings us to the perfect depth of our human connection.

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In Features, Interviews, review Tags Ronit Elkabetz, Shlomi Elkabetz, Black Notebooks, Cnnes, Vertigo, Gett, Israeli cinema, Bernard Herrmann, Hitchcock music, documentary
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