When I spent time in Paris with the late Richard Lormand, a film publicist whose passion for world cinema was a constant inspiration to those who knew him, he spoke often about “Farooki” and his 2017 film ‘No Bed of Roses’. Richard had represented the Bangladeshi filmmaker’s previous work in festivals and was really saddened that his latest wasn’t featured in Venice. It starred Irrfan Khan, whom we both adored and had seen in Locarno the year before. Whenever Richard spoke of a film, it turned into something magical and I could not rest until I had watched it.
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Ziad Bakri and Maria Zreik in Zain Duraie’s ‘Give Up the Ghost’
"Choose love over fear, always": Zain Duraie talks about her short film 'Give Up the Ghost'
One of the hottest button issues for a modern woman concerns her ability to have a child. Depending on which society you are born into, it ranges from being a duty to a God-given right, with all shades of grey in between.
In her haunting, beautifully shot (by Benoît Chamaillard) and perfectly sound designed (by Israel Bañuelos) short film ‘Give Up the Ghost’, Jordanian filmmaker Zain Duraie explores the consequences on a marriage around the ability or inability to have a child.
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Actress Lyna Khoudri in a still from 'Papicha' by Mounia Meddour
“Redefine what a heroine is”: Algerian filmmaker Mounia Meddour on her film ‘Papicha’ in Cannes
I believe that if there were more women film critics, the business of cinema would be much different. There would be better films made, more communication between what audiences want and filmmakers create, and those projects which portray the truth of our humanity would receive the attention they deserve. 'Papicha' by Mounia Meddour would be one of those projects. Now let me explain what I mean.
‘Papicha’ is now streaming as part of the Virtual Cinema of Film at Lincoln Center, through June 4th. An act of courage if you read my piece!
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Farah Nabulsi on her haunting film 'The Present' and the "misrepresented Palestinian stories" she was born to tell
The discovery of Farah Nabulsi’s stunning, honest and beautiful film ‘The Present’ I owe to Palestinian favorite actor Saleh Bakri. I mean, as soon as I saw his name on the Brooklyn Film Festival line-up page, I was hooked. But while his presence is undeniably a wonderful pull into the film, Nabulsi’s perfect oeuvre stands on its own.
The title ‘The Present’ could refer to a gift, the one Yusuf, Bakri’s character goes to buy for his wife on their wedding anniversary. But it also means, to me, the current state of affairs, the here and now, for the Palestinian people.
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Antshi von Moos's 'Brother, Move On' is an ode to the courage of one woman driving her taxi at night in Delhi
Antshi von Moos’s debut documentary short ‘Brother, Move On’ is one of those unmissable films which possesses the right appeal, even on paper. The story of a Delhi woman who drives a taxi at night, catering to an all-female clientele to make sure they get home safely, made up the perfect storm of place, leading character and premise to secure I’d yearn to watch it. That it is a real story, told with kindness and a deep understanding of the subject matter at hand, is just icing on the cake.
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Shince and Fernando in a still from ‘This Is Not Cricket’ by Jacopo de Bertoldi
Jacopo de Bertoldi's 'This Is Not Cricket': What a "little story of the ordinary everyday" can teach us of our world
I found my love for cricket within an Italian filmmaker’s documentary that has little to do with the game and much more with humanity’s place within it. Well, the film is called ‘This Is Not Cricket’ after all, and the filmmaker is wonderfully fresh voice in documentary, Jacopo de Bertoldi. A man with whom every conversation turns into an explanation of life.
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Sasha as a young boy in a moment from ‘Rewind’
In 'Rewind' Sasha Joseph Neulinger attempts to put the puzzle of his life back together
We can all go back to a moment in our childhood or young adult life when we realized the world was a difficult and ugly place. Some of us discovered it when we were let down by our first love, or when a parent showed his true colors by raising his/her hands to us or maybe when a friend betrayed us and our secret.
For Sasha Joseph Neulinger that moment came on early and painfully strong.
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The title shot of Zeina Sfeir’s film
Living in Times of Coronavirus screens on Daraj: Dispatches from Lebanon on lockdown
The five filmmakers featured in this omnibus of shorts, featuring life in the ghost town and home shelters of Beirut, are the brightest of the new wave of directors from Lebanon.
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'Truth' in Journalism, Honesty in Life with James Vanderbilt
I was always a huge fan of the CBS news show 60 Minutes. To this day, there are some indelible segments that have stayed with me, like the Mike Wallace interview with tobacco industry insider Jeffrey Wigand and the Dan Rather expose on George W. Bush and how the 43rd President of the United States of America came to be in the Air National Guard during the time of the Vietnam War.
Incidentally, both those segments have been made into films and these days 60 Minutes continues to be a trailblazer in US news reporting, with an analytical twist, though perhaps today they do what they do with a bit more caution.
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Josef Hader as Stefan Zweig
Peace Is for the Brave: Maria Schrader’s Stunning Austrian Entry to the Oscars ‘Stefan Zweig: Farewell to Europe’
Long before signing on to direct ‘Unorthodox’ on Netflix, Maria Schrader made another beautiful film about a Jewish figure, Stefan Zweig. I interviewed her in 2016 as she was nominated to represent Austria as the country’s Academy Award’s entry. I wanted to revisit that interview and my love for her work. The interview and my own thoughts about the film are as current today as they could ever be. Just read on.
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The Greatest Beauty: Discovering the true Benedetta Barzini in 'The Disappearance of My Mother'
In a world where most of us compete to be noticed, Benedetta Barzini wants to disappear. But before the former model, slash journalist, slash women’s rights activist goes quietly into that horizon rowing her wooden boat, or climbing through the woods backpack in tow, her son Beniamino Barrese wants to film her for all to see. And to remember her always. Or, as he says off camera at the start of his stunning documentary ‘The Disappearance of My Mother’ — “I was not ready to let her go.”
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Johannes Naber throws us a 'Curveball' and hits the perfect shot with his haunting film
Where were you in 1997? Well, that was more than 20 years ago, some may have just been born, others living their day-to-day life and chances are you can’t remember that year at all. I know I can’t. And yet that was the beginning of the end of the Arab world as we know it, and the start of the diplomatic chaos we find ourselves in these days, throughout the globe.
In his latest film ‘Curveball’, Johannes Naber does what he does best, tell a story inspired by the headlines yet in a narrative and human way. With humor and great insight thrown in.
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She put a spell on me: Najwa Najjar's bewitching 'Between Heaven and Earth'
One of my favorite films in Berlin this year is not in Competition. Actually it’s not even in any of the sidebars. You’ll find Najwa Najjar’s stunning, heartwarming latest feature at the Berlinale’s European Film Market, with a screening on the 22nd of February, at 9.30 in the Simon Bolivar Saal.
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"This is not a portrait": Lynne Sachs' must watch 'Film About a Father Who' screens in NYC
To me, Lynne Sachs’ ‘Film About a Father Who’ is simply a masterpiece. And quite clearly, Sachs is someone whose own issues with her father have turned her into a phenomenal woman — full of creativity and courage.
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Sadaf Asgari as Maryam in a still from ‘Yalda, a Night for Forgiveness’
Massoud Bakhshi on his Sundance award-winning 'Yalda, a Night for Forgiveness'
There are so many threads, themes and ideas bursting through Massoud Bakhshi’s stunning ‘Yalda, a Night for Forgiveness’ that it would take a book and not a short article to discuss them all. But within the limits of this piece, I’d like to start off by saying that the film absolutely deserved to win the World Cinema Dramatic Competition Grand Jury Prize at this year’s Sundance, where it premiered.
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'The Two Popes' on Netflix: Sounds from a cinematic gem
I crave for a film to do something more than entertain me, when I sit down to write about it. A work of the 7th art has to change me. I need to feel like something magical clicked deep inside me to walk out of a theater, or in this case the room where I watch my TV, and sit to pen my thoughts. ‘The Two Popes’ did that. It not only showed me a different side to a story I thought I already knew — the changing of the guard between one pope and the other in 2013 — but also reinterpreted a character, former Cardinal Jorge Bergoglio now Pope Francis, in a way that changed my negative opinion of him. And I know at least one other person who felt the same way, my movie-watching partner.
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Why aren't we talking about Iraq? And revisiting Beth Murphy's prophetic 'The List'
Back in 2012, I watched and wrote about ‘The List’ a haunting documentary by American filmmaker Beth Murphy. It premiered at Tribeca and immediately became a symbol of the country I called home at the time. President Bush Senior had fought Iraq on the fields of Kuwait, while Bush Junior invaded the country vouching to get back at Saddam Hussein for, and I quote the then President, “this is the guy who tried to kill my father.”
Ever since then, it’s been an unmentionable subject, Iraq. In US news,
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'The Woman Who Loves Giraffes': An intimate look at the extraordinary life of Anne Innis Dagg
Let me preface by writing that I tend to be sold right away on a film that features an exceptional woman as its central heroine. When that woman is a real life figure, still going strong and advocating both women’s rights as well as nature’s preservation, well the film immediately drives up to the top position of my favorite films. More on such a film, ‘The Woman Who Loves Giraffes’ in a minute. First bear with me and my mini trip down memory lane.
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Aalam-Warqe Davidian's 'Fig Tree' in NYC: the power of cinema with a conscience
There may be a woman at the helm of Ethiopia as a country, but there is still a long road to travel for women in the Ethiopian film industry. In fact, while still plentiful considering the small number of male counterparts, —Haile Gerima is probably the best known filmmaker hailing from the country in the West — Ethiopian women filmmakers can still be only counted on the fingers of one hand. Maybe two.
Aalam-Warqe Davidian defies those odds, singlehandedly, bringing a tale inspired by her own teenage years growing up in the midst of the Ethiopian civil war. In 1989, to be more exact, is when her film ‘Fig Tree’ takes place, in a remote area of the country.
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There's an App for that! Dana Nachman on sex in the #MeToo age in 'Hook Up 2.0' at the Tribeca Film Festival
A typical present day college party. A girl. A guy. They hook up and go the man’s pink hued apartment, yes pink you read that right, to be alone together. But this is the age of #MeToo and nothing is quite the way it used to be. I mean, and just the pink lights of the man’s apartment alone should have given that away!
‘Hook Up 2.0’ screens in the “Shorts: Funhouse” program at the Tribeca Film Festival. Check out all screening times and dates here.
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