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E. Nina Rothe

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Favorite movies only need apply. Life is too short to write about what I didn't enjoy. 

Banin Ahmad Nayef in a still from ‘The President’s Cake’ courtesy of Sony Pictures Classics

Review: Iraqi Oscar hopeful 'The President's Cake' by Hasan Hadi at BFI London Film Festival

E. Nina Rothe October 15, 2025

The Iraqi helmer’s film premiered in Cannes this year and suddenly, I couldn’t imagine a world without its presence. But it was as if one day, Hasan Hadi’s presence and talent exploded onto our consciousness, ready to take his place in the world of cinema greats.

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In Film, Film Festivals, review Tags The President's Cake, Hasan Hadi, BFI London Film Festival, Qumra, Doha Film Institute, Cannes Film Festival, Camera d'Or, Iraq, Iraqi entry to the Oscars, Leah Chen Baker, Anamarie Tecu, Saddam Hussein, Kuwait, Mesopotamian Marshes, Banin Ahmad Nayef, Waheed Thabet Khreibat, Sajad Mohamad Qasem, Tudor Vladimir Panduru, Tamás Zányi, Sony Picture Classics
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A still from The Present

Farah Nabulsi on her haunting film 'The Present' and the "misrepresented Palestinian stories" she was born to tell

E. Nina Rothe May 27, 2020

The discovery of Farah Nabulsi’s stunning, honest and beautiful film ‘The Present’ I owe to Palestinian favorite actor Saleh Bakri. I mean, as soon as I saw his name on the Brooklyn Film Festival line-up page, I was hooked. But while his presence is undeniably a wonderful pull into the film, Nabulsi’s perfect oeuvre stands on its own.

The title ‘The Present’ could refer to a gift, the one Yusuf, Bakri’s character goes to buy for his wife on their wedding anniversary. But it also means, to me, the current state of affairs, the here and now, for the Palestinian people.

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In Interviews, Film Festivals, Film Tags Farah Nabulsi, The Present, Brooklyn Film Festival, BFF, Palestine, Kuwait, Lebanon, Palestinian cinema, Saleh Bakri, short film, Naksa, filmmaking, women filmmakers, Nael Kanj, Maryam Kanj, Hind Shoufani, Philistine Films, Covid-19
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