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E. Nina Rothe

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The Diaries, because sometimes life needs more. 

Victor Polster in a still from Lukas Dhont's 'Girl'

Victor Polster in a still from Lukas Dhont's 'Girl'

The Cannes Diaries 2018: Lukas Dhont brings to Cannes his perfect 'Girl'

E. Nina Rothe May 13, 2018

At the center of filmmaker Lukas Dhont's groundbreaking first feature 'Girl' -- screening at this year's Festival de Cannes in Un Certain Regard -- is a teenager who wants to be a ballerina. Complex, as all teenagers typically are, beautiful, painfully honest and exquisitely feminine, the only twist here is that Lara was born a boy. And it's obvious from her very first moments on the screen that having that part of the body which separates the boys from the girls is something utterly unbearable for Lara.

But instead of creating conflict around this beauty, be it coming from her family, friends and the world at large, Dhont brings us instead into a world where a girl born into a boy's body who begins treatment to transition to her true self when we first meet her, has all the support she could ever hope for. And yet, her own passions, her self discipline, her sense of displacement inside the body fate dealt her at birth create enough strife, hold-your-breath moments and emotions to fully charge a one hour and forty-five minutes film. And fill our dreams for days and days to come.

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In Cinema, Festival, Interviews, The Diaries Tags Girl, Cannes Film Festival, Festival de Cannes, Lukas Dhont, Belgium, Un Certain Regard, ballerina, Victor Polster, transgender, teenagers
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