From his latest collaboration with Spanish luxury house Loewe, to his latest film which features everyone’s favorite girl Zendaya, the Italian-Algerian filmmaker and fashionista has always proven that cinema and fashion go hand in hand.
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A still from ‘Until Tomorrow’ which world premiered at Berlinale in 2022
Ali Asgari talks 'Until Tomorrow' and filmmaking in Iran
Don’t think of this film as your ordinary Western world garden variety torment, as Asgari's oeuvre usually involves two individuals dancing a dance of impossibilities with the authorities of Tehran, trying to navigate a world that makes one's humanity a challenge.
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Splendido Cinema: Nanni Moretti in the Spotlight
Back in 2012, I met Nanni Moretti in his office, and the meeting changed my life. Forever. Moretti has that power, to change the course of things with his cinema. I’d watched ‘We Have a Pope’ in Abu Dhabi and not long after, I decided I needed to meet him face to face. In person, he was what he is in the movies. Nothing more, nothing less. Cranky, at times mean, and then, once I’d slammed my fist onto his desk because he wasn’t paying attention to my questions, he became a talkative, kind and attentive interview.
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There's something about Keanu
It’s undeniable that Keanu Reeves and fashion go together like peanut butter and jelly. In fact, you could say Reeves was born an icon, a closeted fashionista who could do no wrong, whether photographed with a scruffy beard, in his slim frame bare chested or sporting a suit.
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Matteo Garrone, photo by Stefano Baroni
Matteo Garrone on 'Dogman' and the man who finally made the film happen, his actor Marcello Fonte
The magic of Matteo Garrone's latest 'Dogman' lies in the Italian filmmaker's fantastical vision -- a creativity simply like no other in narrative cinema. There is something about how this Cannes Competition title was shot, almost surrealistic and old timey, and how the story has been told without compromise that left me breathless.
'Dogman' is a true collaboration between two exceptional individuals, Garrone as its director of course and his leading man Marcello Fonte, whom the filmmaker allows to steal the show without any ego or possessiveness to the story he wrote (along with Massimo Gaudioso and Ugo Chiti). In fact, Fonte manages to be even more mesmerizing than the dogs in 'Dogman' and those four legged creatures are plentiful and quite spellbinding themselves. Some would say that by the final image of 'Dogman' Fonte has become one of them, an ownerless dog who just lost his master.
Photo courtesy of Annemarie Jacir
Why Cannes' Un Certain Regard Jury member Annemarie Jacir is a personal favorite
I fell in love with her film 'Salt of This Sea' first, captured by its heroine Soraya, who was unapologetically woman and so perfectly angry. Then I got to interview her during the now defunct Abu Dhabi Film Festival and found her to be as wonderfully real as her film characters are. Once again, one of her films 'When I Saw You' made me dream from my cinema seat and I found its omissions from that year's Oscar race a large oversight.
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COURTESY OF THE VENICE FILM FESTIVAL ASAC
James Toback Gets Me, He Truly Gets Me? In ‘The Private Life of a Modern Woman’
For me, James Toback’s ‘The Private Life of a Modern Woman’ — which he shot in just nine days and is only 70 minutes long — is the perfect film. Because it not only combines the talent of actress Sienna Miller with the filmmaker’s wonderful visual sense, but it also offers a view into what it’s like to be a woman in today’s America, and even more specifically in NYC. Those smug stares and taunting looks men bestow upon us on a daily basis to undo us from within, and the subtle violence we face in everyday life, coming at us from all directions, no male reviewer has caught it in their writing. But we women, we know. We feel it and now Toback filmed it, for all to see. If cinema is a way to decode the world around us, perhaps this is a step towards the genuine emancipation of the modern woman — because trust me, we still got a long long way to go to be truly free, to be exactly who we want to be. Even in our good ol’ U.S. of A.
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PHOTO: LOCARNO FILM FESTIVAL BY SAILAS VANETTI
Visionary Producer Michel Merkt in Locarno: “I would rather surprise than be expected.”
Visionary, global, modern, iconoclastic, young and cool, Michel Merkt has revolutionized the landscape of independent cinema internationally and changed the way we go to the movies. Whereas before films like ‘Toni Erdmann’ and ‘My Life as a Zucchini’ would have been relegated to the darkened rooms of arthouse movie theaters, they are now titles that trip off global audiences tongues as easily as any blockbuster or Hollywood rom-com. And for the past decade, producing an average of five titles per year, Merkt has guaranteed his place in the firmament of star film producers.
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PHOTO COURTESY OF NETFLIX
Jake Gyllenhaal as Dr. Johnny Wilcox in Bong Joon-ho’s ‘Okja’
Jake Gyllenhaal on Today’s America, Personal Comfort and His Parents’ Divorce
As he sat down to talk to a select group about his latest film ‘Okja’ in Cannes, Jake Gyllenhaal crossed his arms in front of his chest and gave the room an intense, yet wary look-over. In that moment I thought, “uh oh” imagining the actor would be as I’d seen him before during a masterclass in Dubai — revealing exactly what he was prepared to disclose and nothing more, nothing less. Which would mean that I’d never get my answers about the man beneath the public persona. And that’s always the most interesting, isn’t it, who someone is after the spotlights are turned off and the crowds have gone home.
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