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E. Nina Rothe

Film. Fashion. Life.
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In-depth interviews and casual chats with the personalities and influencers of today, yesterday and tomorrow.

Julia Vysotskaya in a still from ‘Dear Comrades!, photo by Sasha Gusov, Courtesy of NEON

Julia Vysotskaya in a still from ‘Dear Comrades!, photo by Sasha Gusov, Courtesy of NEON

Watch 'Dear Comrades!'... and some Andrei Konchalovsky wisdom will be your gift in return

E. Nina Rothe December 25, 2020

So, if I had to explain why Andrei Konchalovsky’s films appeal so deeply to me, what would I say? That his women characters are always the entree in his films and often his male roles seem like the parsley sprinkled around them to enhance the presentation. Embodied often by his real-life wife Julia Vysotskaya, women like Lyuda in ‘Dear Comrades!’ appeal to my sense of womanhood, to my inner strength but also on a very basic aesthetic level. Lyuda is elegant, in her clunky shoes and with her hungry, lean body, as are the men around her. First and foremost Konchalovsky is a true artist, always loyal to the visual — the most important aspect of the seventh art.

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In Celebrity, Festivals, Interviews, Movies Tags Andrei Konchalovsky, Andrei Tarkovsky, Dear Comrades!, Film Forum, NYC, USA, streaming now, Cairo Industry Days, Cairo International Film Festival, Paradise, House of Fools, Cairo Opera House, Zoom, Bryan Adams, Runaway Train, Hollywood, Russian cinema
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Ethan Coen at Rome Film Festival

Dissecting the movies: Ethan Coen at the Rome Film Festival

E. Nina Rothe October 20, 2019

It was all hush hush. Rome Film Festival artistic director Antonio Monda came to greet us at the press screening of the opening film, Edward Norton’s ‘Motherless Brooklyn’ where he told us Ethan Coen didn’t want to give a press conference prior to his encounter with the public. Why? Because the subject and theme of his conversation was a secret worthy of, it seemed, J. Edgar Hoover’s FBI.

So, I waited. I wondered and imagined that Coen, one half of the wondrous brother duo that makes those incredible films full of humor and human tragedy — I’m talking about Ethan and Joel Coen of course — would make the wait worth while and introduce us, the audience, to something utterly wild. And when it came time for his public talk, he did.

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In Celebrity, Festivals, Movies Tags Ethan Coen, Rome Film Festival, Festa del cinema di Roma, Antonio Monda, J. Edgar Hoover, Hollywood, Joel Coen, Surgery!, Casablanca, Paul Henreid, Hollow Triumph, noir genre, The Doctor, William Hurt, Mandy Patinkin, Rock Hudson, John Frankenheimer, Takashi Miike, Audition, MeToo
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PHOTO BY ©Thierry Van Biesen

PHOTO BY ©Thierry Van Biesen

Filmmaker Cherien Dabis: The “Exceptional Arab Women in Film” Series

E. Nina Rothe February 10, 2018

In 2009, Cherien Dabis’ first feature ‘Amreeka’ created the perfect buzz at the Sundance film festival where it premiered. The Hollywood Reporter touted it as a film that re-energized the immigrant stories genre with “refreshing wit, honest emotions, incisive observations and a perfect cast she [Dabis] literally flew around the world to find.”

Fast forward to 2017 when Dabis has become a name to be reckoned with in Arab cinema, of course but also, and perhaps more importantly, in Hollywood. The Palestinian-American Dabis is currently a producer-slash-director-slash-writer on ‘Empire’, has written and produced various episodes of ‘Quantico’, ditto for ‘The L Word’ and this is all after writing, directing, producing and starring in her second feature ‘May in the Summer’which also world premiered at Sundance in 2013. 

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In Interviews, Celebrity Tags Cherien Dabis, Amreeka, May in the Summer, Exceptional Arab women in film, Empire, Quantico, The L Word, Sundance, Palestinian, American, Hollywood, Women in film, Arab-American, Middle East, Dr. Mona Hanna-Attisha, Flint, Hiam Abbass, Nisreen Faour, Faten Hamama, E.T.
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COURTESY OF THE VENICE FILM FESTIVAL ASAC

COURTESY OF THE VENICE FILM FESTIVAL ASAC

James Toback Gets Me, He Truly Gets Me? In ‘The Private Life of a Modern Woman’

E. Nina Rothe February 8, 2018

For me, James Toback’s ‘The Private Life of a Modern Woman’ — which he shot in just nine days and is only 70 minutes long — is the perfect film. Because it not only combines the talent of actress Sienna Miller with the filmmaker’s wonderful visual sense, but it also offers a view into what it’s like to be a woman in today’s America, and even more specifically in NYC. Those smug stares and taunting looks men bestow upon us on a daily basis to undo us from within, and the subtle violence we face in everyday life, coming at us from all directions, no male reviewer has caught it in their writing. But we women, we know. We feel it and now Toback filmed it, for all to see. If cinema is a way to decode the world around us, perhaps this is a step towards the genuine emancipation of the modern woman — because trust me, we still got a long long way to go to be truly free, to be exactly who we want to be. Even in our good ol’ U.S. of A.

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In Celebrity, Festivals, Interviews, Movies Tags James Toback, The Private Life of a Modern Woman, Sienna Miller, Venice, Venice Film Festival, La Biennale di Venezia, Venice Lives!, Alec Baldwin, Orson Welles, Bobby Freeman, Betty Lou got a new pair of shoes, Ralph Lauren, Steve Buscemi, Vanity Fair, Hollywood, Oscar party, American Sniper, Carl Icahn, Seduced and Abandoned, Cannes, Paolo Baratta, Yes Sookyung, Abel Ferrara, Death in Venice, Grand Hotel de Bain, Tadzio, Aschenbach, Tennessee Williams, My Lunches with Orson, Henry Jaglom
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