Back in 2012, I met Egyptian superstar Khaled El Nabawy at the Abu Dhabi Film Festival. He was there with an Arab-American co-production and we sat down with his director and co-star during a sun filled afternoon, in an empty coffee shop inside the Emirates Palace hotel. It was an otherworldly moment that heralded the start of a beautiful friendship.
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Sir Patrick Stewart at the Dubai International Film Festival, photo by Getty Images courtesy of DIFF
The Ultimate Sir Patrick Stewart: To boldly go where no journalist has gone before
It is obvious upon first meeting him that Sir Patrick Stewart is a man of contradictions. The young boy born in Mirfield who grew up in a poor household in Jarrow fraught with domestic violence is now an elegant gentleman at once stoic and kind. His proper Queen’s English is what one notices at once, making all attempts by this journalist to sound intelligent in his presence invalid. And yet Stewart admits that in his youth “you wouldn’t have understood me if you heard me talk, I spoke with not just an accent — we had a dialect, so we used other words as well.” He proceeds to make an example which of course, sounds like he’s speaking a foreign tongue, not even English anymore.
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Five Perfect Lessons I Learned from Lee Daniels in Dubai
Back in 2014, filmmaker and producer Lee Daniels visited the Dubai International Film Festival. What came out of our chat fueled my love for cinema and made me believe in humanity again. It was the age of Obama then, a different America and a different world.
But I discovered I need to revisit his wisdoms today. They make even more sense now.
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Jeffrey Wright with Luke Hemsworth on the Dubai International Film Festival red carpet in 2016
Photo courtesy of DIFF
"We are American, no matter who we are": Jeffrey Wright on 'Westworld', role-playing and trusting "the Other"
In early December of 2016, just as the last episode of the first season of the HBO series 'Westworld' aired in the US, I sat down with Jeffrey Wright -- at the Dubai Intentional Film Festival.
I've always been a fan of Wright's work, from his unforgettable Tony and Emmy award winning performance on Broadway and TV as Belize in 'Angels in America' to his always welcomed appearances in political thrillers such as 'Syriana', 'The Ides of March' and 'The Manchurian Candidate'. Yet the final straw of my enchantment with this understated actor who is also a relentless human rights advocate, was his performance as Jean-Michel Basquiat in the 1996 Julian Schnabel film on the American artist. In one beautiful performance, Wright portrayed all the vulnerability and talent of a man who seemed to live in a world of his own, and yet had his cultural roots deeply planted in the American way.
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A still from ‘Super Size Me 2: Holy Chicken!’
“I think movies can be revolutionary”: Morgan Spurlock Talks ‘Super Size Me 2: Holy Chicken!’
Morgan Spurlock’s latest film ‘Super Size Me 2: Holy Chicken!’ is quite simply a perfectly truthful, wonderfully watchable, life-changing and good habit forming example of why movies will always show us the way forward.
Following is the interview I conducted with Spurlock in Dubai, where he talked about the mafia of “Big Chicken”, how poultry farmers get the short end of the nugget in the U.S. and how to vote for better food practices using the power of our wallets.
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PHOTO COURTESY OF NETFLIX
Jake Gyllenhaal as Dr. Johnny Wilcox in Bong Joon-ho’s ‘Okja’
Jake Gyllenhaal on Today’s America, Personal Comfort and His Parents’ Divorce
As he sat down to talk to a select group about his latest film ‘Okja’ in Cannes, Jake Gyllenhaal crossed his arms in front of his chest and gave the room an intense, yet wary look-over. In that moment I thought, “uh oh” imagining the actor would be as I’d seen him before during a masterclass in Dubai — revealing exactly what he was prepared to disclose and nothing more, nothing less. Which would mean that I’d never get my answers about the man beneath the public persona. And that’s always the most interesting, isn’t it, who someone is after the spotlights are turned off and the crowds have gone home.
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