It is a luxury to be able to follow someone’s career for years and I’ve had that privilege with Xido, whom I first met in 2013 in Dubai, where he was presenting his cult rockumentary ‘Death Metal Angola’.
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Locarno 2017
Irrfan Khan, why did you go? The world is uglier today...
Now, in the moment when we would have needed him most, Irrfan Khan has left us. He’s gone. He had been ill for the last couple of years and yet, just as with all those we deeply love and are deserving of that love, his passing was unexpected. Unwarranted. Unwanted. HIs words won’t get us out of this funk now.
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Aamir Khan by © Avinash Gowarikar
Aamir Khan on His Fans, Jafar Panahi, 'A Separation' and the Mahabharata
At our first meeting, when I got up, ready to pack up my recording device after the interview and bid Aamir Khan adieu, the Indian mega star insisted “no please, have a seat. I would like to ask you a couple of questions. Do you have the time?” Of course I did, for the greatest star in the firmament of Indian cinema! And so for the next fifteen minutes, Khan unassumingly asked about my background, my love for Arab cinema and my passion for India.
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COURTESY OF THE LOCARNO FILM FESTIVAL
Irrfan Khan in a still from Anup Singh’s ‘The Song of Scorpions’
Irrfan Khan in Locarno: “My only religion is telling stories.”
The last time I met Rajasthani-born superstar Irrfan Khan was in Abu Dhabi, and as we spoke, sitting in a busy hallway inside the grandiose Emirates Palace, waiters and chefs from India and Pakistan working for the hotel would approach him constantly, to ask for an autograph and get their picture taken alongside their idol. The actor indulged them every time, with grace and class.
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PHOTO: LOCARNO FILM FESTIVAL BY SAILAS VANETTI
Visionary Producer Michel Merkt in Locarno: “I would rather surprise than be expected.”
Visionary, global, modern, iconoclastic, young and cool, Michel Merkt has revolutionized the landscape of independent cinema internationally and changed the way we go to the movies. Whereas before films like ‘Toni Erdmann’ and ‘My Life as a Zucchini’ would have been relegated to the darkened rooms of arthouse movie theaters, they are now titles that trip off global audiences tongues as easily as any blockbuster or Hollywood rom-com. And for the past decade, producing an average of five titles per year, Merkt has guaranteed his place in the firmament of star film producers.
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COURTESY OF THE LOCARNO FILM FESTIVAL
Olivier Assayas in Locarno: “Festivals are the place where movies are protected”
Apart from Olivier Assayas being one of the most perfectly articulate persons I’ve ever met, indulging each and every question without any sign of haughtiness or “I know better than thou” attitude — which of course is the case because I’m convinced the man knows everything! — personally, I’m a huge fan of his cinema. Assayas’ films are cinematic human mysteries, to be enjoyed on the big screen of course, yet to be re-watched, relished time and time again so that their magic can truly be absorbed. At the moment, I am obsessed with watching ‘Personal Shopper’ starring Kristen Stewart over and over again, each time discovering new images and uncovering new, pardon the pun, personal truths within it.
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