A still from ‘Diamonds’ courtesy of Vue Lumiére
During the Turkish Italian filmmaker’s UK press tour, coinciding with the local release of his highly acclaimed latest film, Ferzan Ozpetek sat down with me for a short but meaningful chat, which helped explain so much about my passion for his cinema.
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Luca Marinelli, photo courtesy of the Venice International Film Festival, La Biennale del cinema
From the first shot of Luca Marinelli in the Venice Film Festival competition title 'Martin Eden' it's obvious that the camera loves him. In person, Marinelli is humble and kind, with the same magnetically beautiful blue eyes that make watching his latest performance so pleasing. He is also a man who doesn't miss an opportunity to use his platform, in this case winning the best actor prize in Venice, to highlight the issues of our great big world.
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Back in 2012, I met Nanni Moretti in his office, and the meeting changed my life. Forever. Moretti has that power, to change the course of things with his cinema. I’d watched ‘We Have a Pope’ in Abu Dhabi and not long after, I decided I needed to meet him face to face. In person, he was what he is in the movies. Nothing more, nothing less. Cranky, at times mean, and then, once I’d slammed my fist onto his desk because he wasn’t paying attention to my questions, he became a talkative, kind and attentive interview.
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Olivier Assayas at the Rome Film Festival -- Photo by Ernesto S. Ruscio/Getty Images courtesy of the Rome Film Festival
Olivier Assayas is a filmmaker who also happened to have been a film critic. He's a French auteur who also spoke to journalists in perfect Italian while at the recent Rome Film Festival. He is a man born in the mid-50's who looks and dresses like he could be 40-something, as well as a revered name in world cinema who admits that film students today have created their own relationship with movies thanks to the internet. He makes for a fascinating read.
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