There are incredible Things to be said about the production value of the latest Lanthimos oeuvre, and there are beautiful Things in the film, but for me personally it was not all good Things for ‘Poor Things’.
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The vampire wore sneakers: 'El Conde' Venice Review
Once again, Pablo Larrain proves he is one of the smartest filmmakers around, but never once does he talk down to us, his audience. And this dictator vampire romp in B&W is just what this writer needed to kick off the festival in style.
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Talking 'A Calling . From the Desert . To the Sea' with filmmaker Murad Abu Eisheh
With his latest short, the Jordanian, Germany-based filmmaker proves once again that he can tackle women's stories perfectly, while also bringing a special sensitivity to them -- all the while gently educating audiences. And, last but not least, making great cinema in the process! From the MIME.news archives.
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'Nezouh' -- Venice 2022 review
Soudade Kaadan's film is a fable of two women and the men who love them (well, one man and one boy really) and the power and magic that love carries with it. From the MIME.news archives.
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Five indie films to watch at this year's Venice Film Festival
It may be a Netflix world and we’re just living in it, as the streaming giant is hot on the Lido this year with Bradley Cooper’s ‘Maestro’, Pablo Larrain’s vampire dictator romp and Wes Anderson’s latest — but there are a couple of indie titles that you need to watch.
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Bradley Cooper transforms into Leonard Bernstein in first images & trailer released by Netflix for 'Maestro'
The film, which is also directed, co-written and co-produced by Cooper, chronicles the lifelong relationship between Leonard Bernstein and Felicia Montealegre Cohn Bernstein.
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Jiří Havelka's 'The Owners' is a brilliant cinematic metaphor for democracy gone wrong
Don’t let the title of this review lead you to believe that this is some highly educational, dull drama, as the debut feature from the Czech theater director, playwright, actor and presenter proves irreverent and hilarious as well as poignant— and, most importantly, is a must watch!
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Netflix drops Pablo Larrain Venice-bound 'El Conde' trailer and poster
The highly anticipated dark comedy horror by the Chilean auteur will premiere at this year’s Venice Film Festival, before going into theaters on Sept. 7th and finally streaming on the site from September 15th.
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"The cognitive dissonance required to be a woman under patriarchy," as Barbie says...
Afef Ben Mahmoud in ‘Backstage’
Remembering the great Andrea Purgatori, Venice's Giornate degli Autori announces film selection
As the Venice Film Festival’s beloved sidebar turns twenty this year, no longer being a cinematic teenager means celebrating those who have left us in this world, but also looking ahead to some groundbreaking cinema.
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‘The Palace’ by Roman Polanski will be world premiering in Venice, out of competition
Counter-cancel culture: Venice announces latest from Woody Allen, Polanski & Wes Anderson's take on Roald Dahl's stories in lineup
Watch minds explode as they try to wrap their heads around this impressive lineup just announced by the iconic festival on the Lido, which will also feature the first African American woman filmmaker Ava DuVernay featured in the official competition. Along with much, much more.
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Christopher Nolan's 'Oppenheimer' review
If you watch one film this summer, make it ‘Oppenheimer’.
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Art from Disney Pixar’s Elemental used with permission
Disney's 'Elemental' review
We can probably all remember the first Disney film we ever watched….
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'A Cooler Climate' review
In typical James Ivory style, which we have come to know and love in the beautiful films he has been a part of throughout his career, much of the story of this moving documentary is written between the lines.
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"You can't judge a book by its cover": Darren Aronofsky's 'The Whale' in Venice
'The Whale', which is the film version of the play by Samuel D. Hunter, deals with an obese man's last chance at redemption.
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Say "Yup" to 'Nope' - a review
Ultimately, Jordan Peele's film is about connections, knowing when to turn our gaze away from things we aren't meant to be seeing, and humor -- lots and lots of humor.
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Baz Luhrmann's 'Elvis' - review
Baz Luhrmann's 'Elvis' is divine. It is a masterpiece of colossal measures, featuring stellar acting and framed with sublime clothes, settings and music.
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'Ahed's Knee' -- Review
Let’s get this out of the way: everything about Nadav Lapid's latest film is spellbinding.
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The Mehdipour family in a still from Hamy Ramezan’s ‘Any Day Now’, photo courtesy of Aamu Film Company, photo by Sami Kuokkanen
Perfectly Nonconformist: Hamy Ramezan's 'Any Day Now' premieres at Berlinale
It was hard for me to fully wrap my head around the fact that ‘Any Day Now’ is Hamy Ramezan’s first feature film. This 80-some minutes story of an Iranian boy and his family, awaiting their fate as refugees in Finland is so profoundly perfect that I imagined a seasoned filmmaker at its helm.
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Trust me: 'Moon, 66 Questions' by Jacqueline Lentzou premieres at Berlinale
At the center of the story by the Greek native is a troubled father/daughter relationship, revisited when the father Paris, played with stunning vulnerability by Lazaros Georgakopoulos, develops Multiple Sclerosis or MS. The daughter Artemis, a force of nature in the masterful hands of actress Sofia Kokkali, ends up becoming his full time carer and in the process not only discovers something about her father she never knew, but also ends up finding herself.
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