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E. Nina Rothe

Film. Fashion. Life.
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Favorite movies only need apply. Life is too short to write about what I didn't enjoy. 

Shince and Fernando in a still from ‘This Is Not Cricket’ by Jacopo de Bertoldi

Shince and Fernando in a still from ‘This Is Not Cricket’ by Jacopo de Bertoldi

Jacopo de Bertoldi's 'This Is Not Cricket': What a "little story of the ordinary everyday" can teach us of our world

E. Nina Rothe May 7, 2020

I found my love for cricket within an Italian filmmaker’s documentary that has little to do with the game and much more with humanity’s place within it. Well, the film is called ‘This Is Not Cricket’ after all, and the filmmaker is wonderfully fresh voice in documentary, Jacopo de Bertoldi. A man with whom every conversation turns into an explanation of life.

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In Film, Interview, review Tags Shince, Fernando, This Is Not Cricket, Jacopo de Bertoldi, Documentary, documentaries, Italian cinema, Italy, Rome, Cricket, Piazza Vittorio Cricket team, Gianfranco Rosi, Michael Moore, Aflamnah, HuffPost, migration, belonging, India, religion, Rome Film Festival, Alice nella città, Covid-19, ZaLab, Andrea Segre, streaming, friendship, Mir Cinematografica, Rai Cinema
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Sasha as a young boy in a moment from ‘Rewind’

Sasha as a young boy in a moment from ‘Rewind’

In 'Rewind' Sasha Joseph Neulinger attempts to put the puzzle of his life back together

E. Nina Rothe May 4, 2020

We can all go back to a moment in our childhood or young adult life when we realized the world was a difficult and ugly place. Some of us discovered it when we were let down by our first love, or when a parent showed his true colors by raising his/her hands to us or maybe when a friend betrayed us and our secret.

For Sasha Joseph Neulinger that moment came on early and painfully strong.

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In Film, review Tags Sasha Joseph Neulinger, Rewind, documentary, USA, independent Lens, FilmRise, PBS, child abuse
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The title shot of Zeina Sfeir’s film

The title shot of Zeina Sfeir’s film

Living in Times of Coronavirus screens on Daraj: Dispatches from Lebanon on lockdown

E. Nina Rothe April 30, 2020

The five filmmakers featured in this omnibus of shorts, featuring life in the ghost town and home shelters of Beirut, are the brightest of the new wave of directors from Lebanon.

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In Film, review Tags Ghassan Salhab, Zeina Sfeir, The Valley, Living in Times of Coronavirus, Lebanon, Beirut, Lebanese cinema, Daraj, Lamia Jreij, Carol Mansour, Mahmoud Hojeij, Orson Welles, Covid-19, BBC, CNN, Nadine Labaki
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Josef Hader as Stefan Zweig

Josef Hader as Stefan Zweig

Peace Is for the Brave: Maria Schrader’s Stunning Austrian Entry to the Oscars ‘Stefan Zweig: Farewell to Europe’

E. Nina Rothe April 8, 2020

Long before signing on to direct ‘Unorthodox’ on Netflix, Maria Schrader made another beautiful film about a Jewish figure, Stefan Zweig. I interviewed her in 2016 as she was nominated to represent Austria as the country’s Academy Award’s entry. I wanted to revisit that interview and my love for her work. The interview and my own thoughts about the film are as current today as they could ever be. Just read on.

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In Film, Interviews, review Tags Maria Schrader, Stefan Zweig Farewell to Europe, Jewish stories, Unorthodox, Academy Awards, Austria, Josef Hader, Wolfgang Thaler
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The Disappearance of My Mother

The Greatest Beauty: Discovering the true Benedetta Barzini in 'The Disappearance of My Mother'

E. Nina Rothe March 23, 2020

In a world where most of us compete to be noticed, Benedetta Barzini wants to disappear. But before the former model, slash journalist, slash women’s rights activist goes quietly into that horizon rowing her wooden boat, or climbing through the woods backpack in tow, her son Beniamino Barrese wants to film her for all to see. And to remember her always. Or, as he says off camera at the start of his stunning documentary ‘The Disappearance of My Mother’ — “I was not ready to let her go.”

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In Film, review Tags Benedetta Barzini, Beniamino Barrese, The Disappearance of My Mother, Kino Lorber, Andy Warhol, Salvator Dali, documentary, women, women's rights, women's cinema, model, mother and son, Breaker
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Curveball_Sebastian Blomberg_Michael Wittenborn_Dar Salim_copyr_Sten Mende.jpg

Johannes Naber throws us a 'Curveball' and hits the perfect shot with his haunting film

E. Nina Rothe March 11, 2020

Where were you in 1997? Well, that was more than 20 years ago, some may have just been born, others living their day-to-day life and chances are you can’t remember that year at all. I know I can’t. And yet that was the beginning of the end of the Arab world as we know it, and the start of the diplomatic chaos we find ourselves in these days, throughout the globe.

In his latest film ‘Curveball’, Johannes Naber does what he does best, tell a story inspired by the headlines yet in a narrative and human way. With humor and great insight thrown in.

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In Film, review Tags Johannes Naber, André Zacher, Curveball, German ciinema, anthrax, CIA, USA, Germany, Dar Salim, Rafid Alwan, Sebastian Blomberg, Virginia Kull, UN, Dr. Arndt Wolf, Saddam Hussein, Berlinale, chemical weapons, Valerie Plame, Joe Wilson
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Between Heaven and Earth

She put a spell on me: Najwa Najjar's bewitching 'Between Heaven and Earth'

E. Nina Rothe February 19, 2020

One of my favorite films in Berlin this year is not in Competition. Actually it’s not even in any of the sidebars. You’ll find Najwa Najjar’s stunning, heartwarming latest feature at the Berlinale’s European Film Market, with a screening on the 22nd of February, at 9.30 in the Simon Bolivar Saal.

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In Film, Film Festivals, review Tags Najwa Najjar, Between Heaven and Earth, Berlinale, European Film Market, Berlin, Palestine, Israel, Occupied Territories, women filmmakers, EFM, Souad Massi, Yuma, Natasha Atlas, Orange Blossom, Tania Saleh, Gazal, Arab cinema, Arab women's cinema, Mouna Hawa, Firas Nassar, Eyes of a Thief, Tot Ard, al Raseef
Comment
Lynne and Ira Sachs

"This is not a portrait": Lynne Sachs' must watch 'Film About a Father Who' screens in NYC

E. Nina Rothe February 7, 2020

To me, Lynne Sachs’ ‘Film About a Father Who’ is simply a masterpiece. And quite clearly, Sachs is someone whose own issues with her father have turned her into a phenomenal woman — full of creativity and courage.

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In Film, review Tags Lynne Sachs, Ira Sachs Sr., Film About a Father Who, Ira Sachs jr., Jean-Luc Godard, Le livre d'image, Slamdance, Museum of Modern Art, MoMA, Doc Fornight, fatherhood, dad, Ira Sachs, Park City Utah, Sundance, slamdance
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