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E. Nina Rothe

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The Diaries, because sometimes life needs more. 

La Biennale del Cinema poster

The Venice Diaries: Creativity decoded by Schnabel's 'At Eternity's Gate', Assayas' 'Non-Fiction' and 'Why Are We Creative?'

E. Nina Rothe September 4, 2018

The first ever Venice Film Festival was held in 1932, from the 6th to the 21st of August and it opened with 'Dr. Jekyll and Mr. Hyde' -- the Fredric March version. March went on to win favorite actor and since there were no official prizes, he was picked by the audience.

In that magical moment, during the first edition of the first ever world film festival our own profession -- film criticism and film writing -- was also born. There hadn't been a true need for it before, think about it.

When I come to Venice, I realize this is where it all comes from, and despite some problematic years in our history, we should remember the heritage of the Venice Film Festival. All journalists should take a moment and think about that when they first set foot on the Lido. Without Venice, we probably wouldn't be here. They started it. All.

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In Cinema, Festival, The Diaries Tags Venice 75, Venice, Venice Film Festival, Venice Days, La Biennale di Venezia, Why Are We Creative?, Hermann Vaske, Quentin Tarantino, Yoko Ono, Dalai Lama, David Bowie, Vivienne Westwood, Stephen Hawking, Giornate degli Autori, Arafat, Shimon Perez, Willem Dafoe, Doubles Vies, Non-Fiction, Olivier Assayas, Juliette Binoche, Guillaume Canet, Personal Shopper, Vincent Macaigne, Nora Hamzawi, creativity, favorites, At Eternity's Gate, Julian Schnabel, Vincent Van Gogh, Rupert Friend, Mads Mikkelson, Emmanuelle Seigner, Miral, Basquiat, Before Night Falls, Competition
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