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E. Nina Rothe

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The Diaries, because sometimes life needs more. 

PHOTO BY FRANÇOIS DUHAMEL, COURTESY OF VICEJim Carrey in a still from ‘Man on the Moon’

PHOTO BY FRANÇOIS DUHAMEL, COURTESY OF VICE

Jim Carrey in a still from ‘Man on the Moon’

The Venice Film Festival Diaries: ‘mother!’, ‘Loving Pablo’ Escobar and Jim Carrey Made Me Cry

E. Nina Rothe February 5, 2018

Every meeting at this year’s Venice Film Festival has been a once-in-a-lifetime chance encounter for me. From chatting with the fabulous James Toback, to meeting his visionary producer Michael Mailer, from the relaxed junket on San Clemente island with Kirsten Dunst and the Rodarte sisters to sitting leisurely with artist Shirin Neshat at Villa degli Autori, from the wisdom of Argentinian filmmaker Lucrecia Martel to the Zen discipline and class of Maestro Ryuichi Sakamoto — it’s all been divine. There is no other word to describe it.

And yet, on the seventh day of the festival, another surprise awaited me. A cozy, wonderful junket with Jim Carrey and director Chris Smith, who together made a film that has quickly risen to my top five — alright top three actually — in Venice. 

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In Cinema, Festival, The Diaries Tags mother!, Darren Aronofsky, Jim & Andy the Great Beyond, Netflix, Loving Pablo, Jim Carrey, Venice Film Festival, Venice, La Biennale di Venezia, James Toback, San Clemente Island, Michael Mailer, Chris Smith, Vice, Andy Kaufman, Man on the Moon, REM, Milos Forman, Jennifer Lawrence, Javier Bardem, Fernando Leon de Aranoa, Penelope Cruz, Virginia Vallejo, Pablo Escobar, Peter Sarsgaard, DEA, Medellin cartel
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COURTESY OF THE VENICE FILM FESTIVAL AND NETFLIXPeter Sarsgaard in a still from Errol Morris’ ‘Wormwood’

COURTESY OF THE VENICE FILM FESTIVAL AND NETFLIX

Peter Sarsgaard in a still from Errol Morris’ ‘Wormwood’

The Venice Film Festival Diaries: Warwick Thornton’s ‘Sweet Country’ and Better than Fiction with ‘Cuba’ and ‘Wormwood’

E. Nina Rothe February 5, 2018

On one of the English language news channels this morning, they were talking about this new film ‘Toilet: Ek Prem Katha’ which is making a big splash — or shall I say “flush” — in India at the moment. It’s a love story shot around the absolute, undeniably dire need for better plumbing facilities in the Desh. “This is one instance where perhaps a movie has been able to change policies,” said one anchor. Duh, I thought. Cinema has been changing the way we think, act and feel since its inception. It’s just that we don’t often think about it, because the kind of films which usually change us, for better or for worse, are those that entertain us without apparently teaching us anything. But the power of their subliminal messages is there, always, on the big screen, your TV and even your mobile screen.

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In Cinema, Festival, The Diaries Tags Venice Film Festival, Warwick Thornton, Sweet Coutry, Cuba and the Cameraman, Wormwood, La Biennale di Venezia, Cinema, Toilet: Ek Prem Katha, Australian Indigenous cinema, Peter Sarsgaard, Errol Morris, CIA, Dr. Frank Olson, Loving Pablo, Jon Alpert, Netflix, Fidel Castro, Cuba, Ewen Leslie, Sam Neill, Bryan Brown, Hamilton Morris, Albergo Quattro Fontane, Jim Carrey, Venice
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