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E. Nina Rothe

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The Diaries, because sometimes life needs more. 

A still from ‘The Black Power Mixtape: 1967-1975’ by Göran Hugo Olsson

A still from ‘The Black Power Mixtape: 1967-1975’ by Göran Hugo Olsson

Five films to illuminate in these dark times, and check your racism at the door

E. Nina Rothe June 4, 2020

“I love America more than any other country in this world, and, exactly for this reason, I insist on the right to criticize her perpetually.” — James Baldwin

When I learned what happened to George Floyd on Memorial Day, I remembered more profoundly what “white privilege” means.

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In Cinema, The Diaries Tags Spike Lee, Black Lives Matter, Minneapolis riots, George Floyd, cinema with a conscience, Ava DuVernay, 13th, Selma, When They See Us, Central Park Five, NYC, racism, Nadia Hallgren, Becoming, Michelle Obama, Barack Obama, Americans, America, USA, Goran Hugo Olsson, The Black Power Mixtape, Erykah Badu, Stokely Carmichael, Angela Davis, Martin Luther King Jr., I Am Not Your Negro, Raoul Peck, James Baldwin, Malcolm X, Red Sea International Film Festival
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Edith Bouvier Beale, Caroline Lee Radziwill in a still from 'That Summer' by Göran Hugo OlssonPhoto © Peter Beard

Edith Bouvier Beale, Caroline Lee Radziwill in a still from 'That Summer' by Göran Hugo Olsson

Photo © Peter Beard

The Berlinale Diaries: 'That Summer', 'What Comes Around' and Q's 'Garbage'

E. Nina Rothe February 18, 2018

I've been a fan of Göran Hugo Olsson's filmmaking since I watched his 'The Black Power Mixtape: 1967-1975' quite a few years ago. He talked to me then about having a "100 percent connection with the material" which make his films not only wonderful but deeply honest. 

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In Cinema, The Diaries, Festival Tags Q, Berlinale, That Summer, Goran Hugo Olsson, Garbage, What Comes Aorund, Reem Saleh, Berlin, Gandu, The Black Power Mixtape, Edith Bouvier Beale, Sundance Selects, NY, Grey Garderns, Peter Beard, Lee Radziwill, Andy Warhol, What Comes Around, Al Gami'ya, Rod Al Farag, Cairo, Egypt, Qaushiq Mukherjee, Panorama
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