• Home
  • Faces
  • Movies
  • The Diaries
  • The Briefly
  • Minimalist Fashionista
  • Selfies Interviews
  • About
  • contact
Menu

E. Nina Rothe

Film. Fashion. Life.
  • Home
  • Faces
  • Movies
  • The Diaries
  • The Briefly
  • Minimalist Fashionista
  • Selfies Interviews
  • About
  • contact
×

Favorite movies only need apply. Life is too short to write about what I didn't enjoy. 

A still from 'Tumbbad' by Rahi Anil Barve and Adesh Prasad

A still from 'Tumbbad' by Rahi Anil Barve and Adesh Prasad

Scary to the core: a teaser of 'Tumbbad' by Rahi Anil Barve and Adesh Prasad

E. Nina Rothe August 27, 2018

Probably one of the most anticipated titles in Venice -- along with Luca Guadagnino's remake of Dario Argento's 'Suspiria' also a horror film -- is the opening work at the Venice International Film Critics Week, a cool sidebar of first features and shorts curated by film journalist Giona A. Nazzaro. 'Tumbbad' is a collaboration between two filmmakers from India, Rahi Anil Barve and Adesh Prasad and the synopsis alone gave me shivers:

“India, 19th century: on the outskirts of a decrepit village called Tumbbad lives Vinayak, the stubborn, conniving bastard son of the village lord, obsessed with a mythical ancestral treasure. He suspects the secret lies with his great-grandmother, a cursed witch sleeping for centuries. Confronting her finally puts him face to face with the guardian of the treasure, an evil fallen god.

What starts with a few gold coins, quickly spirals into a reckless, perpetual yearning, spanning decades. Vinayak’s greed keeps escalating till he unearths the biggest secret of all, something more valuable than the treasure itself! ”

Here is a teaser from the film and stay tuned on this site for more to come, once I actually can talk about it without breaking the embargo... 

In Film Tags Tumbbad, India, Rahi Anil Barve, Adesh Prasad, Settimana della Critica, Venice Critics' Week, ghost stories, Horror, Suspiria, Luca Guadagnino, Sohum Shah, Aanand L Rai, Giona A. Nazzaro
← “A collector of contradictions”: Amos Gitai takes us on a voyage of thinking with ‘A Tramway in Jerusalem’ Leonardo Guerra Seràgnoli's 'Likemeback': the good times, the lessons, the heartaches and perils of social media →
Post Archive
  • February 2026
  • January 2026
  • November 2025
  • October 2025
  • September 2025
  • August 2025
  • July 2025
  • June 2025
  • May 2025
  • April 2025
  • March 2025
  • February 2025
  • January 2025
  • December 2024
  • November 2024
  • October 2024
  • September 2024
  • August 2024
  • July 2024
  • June 2024
  • May 2024
  • April 2024
  • March 2024
  • February 2024
  • January 2024
  • December 2023
  • November 2023
  • October 2023
  • September 2023
  • April 2021
  • March 2021
  • February 2021
  • January 2021
  • November 2020
  • September 2020
  • August 2020
  • July 2020
  • June 2020
  • April 2020
  • February 2020
  • December 2019
  • November 2019
  • October 2019
  • September 2019
  • August 2019
  • July 2019
  • May 2019
  • April 2019
  • March 2019
  • February 2019
  • January 2019
  • November 2018
  • October 2018
  • September 2018
  • August 2018
  • June 2018
  • May 2018
  • April 2018
  • March 2018
  • February 2018
  • January 2018
 

Featured Posts

Featured
A Brief Affair by Ludovica Rampoldi for ENinaRothe.jpg
Mar 6, 2026
'A Brief Affair' by Ludovica Rampoldi: A Cinema Made in Italy review
Mar 6, 2026
Mar 6, 2026
Queen at Sea Juliette Binoche, Anna Calder-Marshall courtesy of © Seafaring for E. Nina Rothe.jpg
Feb 20, 2026
'Queen at Sea' by Lance Hammer - Berlinale review
Feb 20, 2026
Feb 20, 2026
NARCISO DiroRomero_©LaBabosaCine.jpeg
Feb 18, 2026
Marcelo Martinessi's 'Narciso' is on fire! A Berlinale review
Feb 18, 2026
Feb 18, 2026
First Light photo credit James J. Robinson for ENinaRothe.jpeg
Feb 6, 2026
A pint-sized heroine fills the screen in James J. Robinson's beautifully epic story 'First Light'
Feb 6, 2026
Feb 6, 2026
The Beauty characters posters for ENinaRothe.jpg
Jan 21, 2026
'The Beauty'on FX: The part Ashton Kutcher was born to play, delving into our physical obsessions and Christopher Cross
Jan 21, 2026
Jan 21, 2026