A still from the short ‘Maya at 24’ by Lynne Sachs
All the great filmmakers have been artists of the lens. If you think about Hitchcock, Truffaut, Wilder, Kazan, Visconti, Fellini and endless more that make up our collective cinematic heritage, they constructed their work like one long sequence of aesthetics — sight and sound.
Lynne Sachs is no exception.
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Nanni Moretti, left, in a scene from ‘We Have a Pope’
A couple of days ago I revisited my profile of Italian filmmaker Nanni Moretti from 2012. Today I want to share the interview that took flying across the oceans and organizing with patience and care to secure.
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